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Review
"Those for whom Paddy’s prose is still an undiscovered country are to be envied for what lies ahead-hours with one of the most buoyant and curious personalities one can find in English." — The New York Sun "Mr. Fermor…is a peerless companion, unbound by timetable or convention, relentless in his high spirits and curiosity." — Richard B. Woodward, The New York Times "We are aware at every step that his adventure can never be duplicated: only this extraordinary person at this pivotal time could have experienced and recorded many of these sights. Distant lightening from events in Germany weirdly illuminates the trail of this free spirit." — The New York Times "The young Fermor appears to have been as delightful a traveling companion as the much older Fermor a raconteur." — The Houston Chronicle "[A Time of Gifts, Between the Woods and the Water] are absolutely delightful volumes, both for those who want to better understand what was lost in the violence of Europe’s 20th-century divisions and for those who appreciate the beauty and thrill of travel writing at its best." — The Houston Chronicle "Leigh Fermor is recognizably that figure many writers of the past century have yearned to be, the man of action." — The Guardian "He was, and remains, an Englishman, with so much living to his credit that the lives conducted by the rest of us seem barely sentient-pinched and paltry things, laughably provincial in their scope, and no more fruitful than sleepwalks. We fret about our kids’ S.A.T. scores, whereas this man, when he was barely more than a kid himself, shouldered a rucksack and walked from Rotterdam to Istanbul." — Anthony Lane, The New Yorker“Even more magical...through Hungary, its lost province of Transylvania, and into Romania...sampling the tail end of a languid, urbane and anglophile way of life that would soon be swept away forever.” —Jeremy Lewis, Literary Review“In these two volumes of extraordinary lyrical beauty and discursive, staggering erudition, Leigh Fermor recounted his first great excursion... They’re partially about an older author’s encounter with his young self, but they’re mostly an evocation of a lost Mitteleuropa of wild horses and dark forests, of ancient synagogues and vivacious Jewish coffeehouses, of Hussars and Uhlans, and of high-spirited and deeply eccentric patricians with vast libraries (such as the Transylvanian count who was a famous entomologist specializing in Far Eastern moths and who spoke perfect English, though with a heavy Scottish accent, thanks to his Highland nanny). These books amply display Leigh Fermor’s keen eye and preternatural ear for languages, but what sets them apart, besides the utterly engagin persona of their narrator, is his historical imagination and intricate sense of historical linkage... Few writers are as alive to the persistence of the past (he’s ever alert to the historical forces that account for the shifts in custom, language, architecture, and costume that he discerns), and I’ve read none who are so sensitive to the layers of invasion that define the part of Europe he depicts here. The unusual vantage point of these books lends them great pregnancy, for we and the author know what the youthful Leigh Fermor cannot: that the war will tear the scenery and shatter the buildings he evokes; that German and Soviet occupation will uproot the beguiling world of those Tolstoyan nobles; and that in fact very few people who became his friends on this marvelous and sunny journey will survive the coming catastrophe.” -- Benjamin Schwartz, The Atlantic"This is a glorious feast, the account of a walk in 1934 from the Hook of Holland to what was then Constantinople. The 18-year-old Fermor began by sleeping in barns but, after meeting some landowners early on, got occasional introductions to castles. So he experienced life from both sides, and with all the senses, absorbing everything: flora and fauna, art and architecture, geography, clothing, music, foods, religions, languages. Writing the book decades after the fact, in a baroque style that is always rigorous, never flowery, he was able to inject historical depth while still retaining the feeling of boyish enthusiasm and boundless curiosity. This is the first of a still uncompleted trilogy; the second volume, Between the Woods and the Water, takes him through Hungary and Romania; together they capture better than any books I know the remedial, intoxicating joy of travel." — Thomas Swick, South Florida Sun-Sentinel “Recovers the innocence and the excitement of youth, when everything was possible and the world seemed luminescent with promise. ...Even more magical...through Hungary, its lost province of Transylvania, and into Romania... sampling the tail end of a languid, urbane and anglophile way of life that would soon be swept away forever.” —Jeremy Lewis, Literary Review“A book so good you resent finishing it.” —Norman Stone"The greatest of living travel writers…an amazingly complex and subtle evocation of a place that is no more." — Jan Morris Praise for Patrick Leigh Fermor: "One of the greatest travel writers of all time”–The Sunday Times “A unique mixture of hero, historian, traveler and writer; the last and the greatest of a generation whose like we won't see again.”–Geographical “The finest traveling companion we could ever have . . . His head is stocked with enough cultural lore and poetic fancy to make every league an adventure.” –Evening StandardIf all Europe were laid waste tomorrow, one might do worse than attempt to recreate it, or at least to preserve some sense of historical splendor and variety, by immersing oneself in the travel books of Patrick Leigh Fermor.”—Ben Downing, The Paris Review
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About the Author
Patrick Leigh Fermor (1915-2011) was an intrepid traveler, a heroic soldier, and a writer with a unique prose style. After his stormy schooldays, followed by the walk across Europe to Constantinople that begins in A Time of Gifts (1977) and continues through Between the Woods and the Water (1986), he lived and traveled in the Balkans and the Greek Archipelago. His books Mani (1958) and Roumeli (1966) attest to his deep interest in languages and remote places. In the Second World War he joined the Irish Guards, became a liaison officer in Albania, and fought in Greece and Crete. He was awarded the DSO and OBE. He lived partly in Greece—in the house he designed with his wife, Joan, in an olive grove in the Mani—and partly in Worcestershire. He was knighted in 2004 for his services to literature and to British–Greek relations. Jan Morris was born in 1926, is Anglo-Welsh, and lives in Wales. She has written some forty books, including the Pax Britannica trilogy about the British Empire; studies of Wales, Spain, Venice, Oxford, Manhattan, Sydney, Hong Kong, and Trieste; six volumes of collected travel essays; two memoirs; two capricious biographies; and a couple of novels—but she defines her entire oeuvre as “disguised autobiography.” She is an honorary D.Litt. of the University of Wales and a Commander of the British Empire. Her memoir Conundrum is available as a New York Review Book Classic.
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Product details
Series: New York Review Books Classics
Paperback: 280 pages
Publisher: NYRB Classics; 1St Edition edition (October 3, 2005)
Language: English
ISBN-10: 9781590171660
ISBN-13: 978-1590171660
ASIN: 1590171667
Product Dimensions:
5 x 0.6 x 8 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
115 customer reviews
Amazon Best Sellers Rank:
#129,550 in Books (See Top 100 in Books)
The twentieth-century's most remarkable English-language travel narrative, telling the story of a walk from Hungary to the eastern marches of Europe, this book is a completely absorbing bit of time-travel as well, transporting us back to lost natural and cultural worlds. Fermor's eye for the natural world is as remarkable as is his ability to capture centuries of history. If you like Bruce Chatwin's writing you will love this book, as well as its prequel; but for this reader, this is Fermor's masterpiece, as (amazingly) he writes of a journey undertaken in 1933, but as remembered a lifetime later.
Budapest... the Hungarian Plains... Romania... Transylvania. Sound capital-R Romantic? It's that and more in the adept hands of Patrick Leigh Fermor. This continues the story of his 1934 travels through Europe as a 19-year-old. And if anything, the pastoral settings of Eastern Europe suit his descriptive hand even better than this book's predecessor, A TIME OF GIFTS. Here is a glimmer of Fermor's writing as he describes the Carpathian Uplands:"These great forest chambers, bounded by mingled stretches of hardwood and underbrush, slanted uphill and out of sight in a confusion of roots. Freshets channeled the penumbra, falling from rocky overhangs into pools that could be heard from afar, or welled up through husks and dead leaves and turned into streams. There had been two hoopoes in the lower woods and bee-eaters, with an eye to the hives perhaps, perched on twigs near the harvesters' clearing; golden orioles, given away by their black and yellow plumage and the insistent shrill curl of their song, darted among the branches. But every so often invisible flocks of wood-pigeons plunged everything under a spell so drowsy, it was hard, sitting down for a smoke, to keep awake; then a footfall would loose off a hundred flurried wings and set them circling in the speckled light of one of the forest ballrooms like Crystal Palace multitudes calling for Wellingtonian hawks."It resembles an idyll, the way his pen lends itself to descriptive passages of nature, and the wild beauties of this more mysterious corner of Europe comes to life because of it. Part III of this book has yet to be published, though they say Fermor completed most of it before his recent death in June of 2011. Until then, if you are a devotee of travel writing or nature writing, you owe yourself a look at Fermor's delightful tandem, A TIME OF GIFTS followed by BETWEEN THE WOODS AND THE WATER.
The title above is German for "Absolutely nothing!", Fermor's droll reply to "What are you studying?" when visiting a scholar with his newfound Transylvanian friend Istvan, who laughs about such blasphemy all the way back from the visit. The polymathic Fermor had contemplated his answer a few moments before answering-"Languages? Art? Geography? Folklore? Literature? None of them seemed to fit." The truth is, of course, as anyone who has read of anything of Fermor's knows full well, that Fermor has been studying all of these things, but with his own assiduous, unacademic zeal. This time he spent in Transylvania (The country's name meaning, as any first year Latinist would know, "Across the Woods") is by far my favourite: His escapades with Istvan, the fleeting amour with Angela, the effortless historical erudition about the region all make it exemplary of the book as a whole - which is not to slight the rest of it at all!I disagree profoundly with the reviewers who take umbrage at Fermor's "esoteric" use of language and historic allusion. For the armchair traveler, these qualities make the book just that much more fun - Diving into the OED and various encyclopedias to thresh out some of the references.The overall effect of this book, as with A Time of Gifts, is best likened to a friendly punch in the gut by an old chum. It takes you at unawares but leaves you invigorated and happy to be alive in the world. Yes, there are sadnesses to the book, not the least of which is that the beautiful View of the Danube near Regensburg on the cover of the NYRB edition is now underwater, lost forever; But as Fermor contemplates as his time with Angela draws to a close, "There are hours in life worth more than diamonds." This book is full of them!And all these youths chain-smoking cigarettes! Perhaps the Surgeon General should put a warning label on the book lest a youth of today discover the vibrant meaning of carpe diem!
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